Hominis Aevum

  • Random
  • Archive
  • RSS
  • Precare!
  • Submit
Hungarian-style Shield, ca. 1500–1550 Eastern European Wood, leather, gesso, polychromy.
Wing-shaped shields, with the distinctive upward-sweeping back edge, were the characteristic light-cavalry shields of Hungary. During the sixteenth century, the style was adopted across much of eastern Europe by both Christian and Islamic horsemen.
The shield’s elongated upper edge was designed to defend the back of the head and neck against cuts from the saber, the preferred cavalry weapon in that region.
This shield is painted on its exterior with the double-bladed sword of the Prophet Muhammad and on its interior with the Crucifix and instruments of the Passion. This unusual mix of Islamic and Christian symbols suggests that the shield was used in a tournament by a Christian warrior dressed in oriental fashion. In these “Hungarian-style” tournaments, the participants wore Hungarian and Turkish costumes and used sabers to strike off feathers attached to their opponents’ helmets and to the apex of their painted shields.
Even at a time when Turkish armies were a constant threat to eastern Europe, their costumes and tactics were imitated by their Christian foes.
View Separately

Hungarian-style Shield, ca. 1500–1550 Eastern European Wood, leather, gesso, polychromy.

Wing-shaped shields, with the distinctive upward-sweeping back edge, were the characteristic light-cavalry shields of Hungary. During the sixteenth century, the style was adopted across much of eastern Europe by both Christian and Islamic horsemen.

The shield’s elongated upper edge was designed to defend the back of the head and neck against cuts from the saber, the preferred cavalry weapon in that region.

This shield is painted on its exterior with the double-bladed sword of the Prophet Muhammad and on its interior with the Crucifix and instruments of the Passion. This unusual mix of Islamic and Christian symbols suggests that the shield was used in a tournament by a Christian warrior dressed in oriental fashion. In these “Hungarian-style” tournaments, the participants wore Hungarian and Turkish costumes and used sabers to strike off feathers attached to their opponents’ helmets and to the apex of their painted shields.

Even at a time when Turkish armies were a constant threat to eastern Europe, their costumes and tactics were imitated by their Christian foes.

Source: islamic-arts.org

    • #shield
    • #islam
    • #christianity
    • #history
    • #wood
    • #warfare
    • #renaissance
    • #tournament
  • 10 months ago
  • 31
  • Permalink
  • Share
    Tweet

31 Notes/ Hide

  1. shewandersnherhead likes this
  2. freakyfauna likes this
  3. bowlingwallmeat likes this
  4. paulmaybury likes this
  5. psychedelic-satan reblogged this from giovannigf
  6. f-featherbrain reblogged this from giovannigf
  7. f-featherbrain likes this
  8. giovannigf reblogged this from lshefler
  9. shuraiya likes this
  10. kotaline reblogged this from lshefler
  11. kotaline likes this
  12. lshefler reblogged this from hominisaevum
  13. marenoite likes this
  14. trollception reblogged this from hominisaevum
  15. auspiciousplatypus reblogged this from hominisaevum
  16. jessehensel likes this
  17. telephonecigarettes reblogged this from hominisaevum
  18. elmerpaisley likes this
  19. asiwaswalkingallalone reblogged this from hominisaevum
  20. inutilium likes this
  21. dennis-freud likes this
  22. coeurdelhistoire reblogged this from hominisaevum
  23. gunhilde likes this
  24. marpar12 likes this
  25. quidditchcorgisandfinland reblogged this from hominisaevum
  26. vyr likes this
  27. likewinethroughwater likes this
  28. fantasticallychaotic likes this
  29. mediumaevum likes this
  30. hominisaevum posted this
← Previous • Next →
Avatar Blog dedicated to the Renaissance. Art, literature, architecture, music, general history, geography, warfare, politics, way of living, language and culture...
  • @Gavranolique on Twitter
  • Facebook Profile
  • Gavranolique on Last.fm

Following

Approved

See more →
  • Photo via nataliakoptseva

    1500 Maître à l’oeillet de Baden La chute des Anges et le combat de saint Michel contre le dragon Huile sur Bois de sapin Kunsthaus, Zurich

    Photo via nataliakoptseva
  • Photoset via my-ear-trumpet

    a-poet-and-other-things:

    Paintings of St. Thomas More and St. John Fisher from a reredos in S. Mary’s Church Kettlebaston, Suffolk.

    ...

    Photoset via my-ear-trumpet
  • Photo via cavetocanvas

    Carlo Crivelli, The Vision of the Blessed Gabriele, c. 1489

    Photo via cavetocanvas
  • Photo via nataliakoptseva

    mererecorder:

    Le livre de la sainte trinité_circa 1400

    Photo via nataliakoptseva
  • Photo via nataliakoptseva

    c0ssette:

    Philippe de Croy, Seigneur of Sempy (detail) by Rogier van der Weyden, 1399- 1464.

    Photo via nataliakoptseva
  • RSS
  • Random
  • Archive
  • Precare!
  • Submit
  • Mobile

Effector Theme by Carlo Franco.

Powered by Tumblr